Let's Make Excellent Happen
Posted by:
mylagogo
on 04.27.12
There is rubber in all of the right places, so I expect durability will be good as well (after 15 miles I can barely detect a scuff on the sole of my ray ban sunglasses online's). The sole is quite flexible, and can be bent and twisted with relative ease.The upper of the lunettes Chrome Hearts is very minimal and composed of a synthetic mesh that breathes very well. The mesh is a bit scratchy in spots, and I haven’t tried sockless running in them yet, so no comment on that yet. Aside from a very flexible heel counter, there are no structural elements in the upper.
Posted by:
mylagogo
on 04.05.12
mbtサイズ has been on the move lately as they have already introduced and released a bunch of new Air Jordan sneakers in just a matter of weeks.In addition to these many issues, it is the classic Adidas eremy Scott Panda Bear Retro White Cement.
Posted by:
oxsunglassmall
on 12.17.11
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Posted by:
mylagogo
on 12.13.11
Oui. L'en faut. L'en faut absolument. Eh bon ok peut-être je dis aussi ?a parce que hier j'ai filé m'acheter chez Céline ces lunettes (photo prise par Inès) qu'on voit là sur lesquelles je salive depuis tellement de temps que c'est déjà un miracle qu'elles n'aient pas rouillé.lunettes Bvlgari Le vendeur, Rapha?l, était obligé de les planquer quand j'arrivais pour pas que je les mouille. Les lunettes noires cerclées d'or (enfin, montures dorées, je veux dire), c'est mon obsession comme vous vous en souvenez peut-être, j'ai vu que Prada commence à en faire, et aussi Tom Ford. Et puis, bon, ces Céline. Je trouve que les lunettes de soleil l'hiver c'est une des choses les plus élégantes à imaginer. J'admets que certains jours de ciel plombé je vois rien quand je marche, mais je me dis que ?a peut aussi permettre de rentrer dans un homme par hasard et puis de faire connaissance et puis… mais bon je m'égare. En tout cas, moi, quand un homme a des lunettes de soleil l'hiver, même si je vois rien derrière les miennes, eh bien je le remarque aussit?t lunettes D&G.
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on 05.17.11
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Posted by:
skyxxxxx33
on 04.11.11
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CHEN
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Author:
Description:
Working with Park Pictures Directors Ellen Kuras and Lance Acord via Arnold Worldwide, audioEngine's Rex Recker recently mixed an upbeat spot for New Balance, edited by Lost Planet Editorial Founder, Hank Corwin.
Let's Make Excellent Happen, set to the beat of The Dandelions On the 54, is a surging urban adventure following the arc of a New York City day and night building up to a big outdoor race. As the music pounds on, workers lay a temporary track on a Hudson River pier, where professional runners and regular people of all kinds converge to partake in a series of races that are alternately off-the-wall and intense.
Let's Make Excellent Happen, set to the beat of The Dandelions On the 54, is a surging urban adventure following the arc of a New York City day and night building up to a big outdoor race. As the music pounds on, workers lay a temporary track on a Hudson River pier, where professional runners and regular people of all kinds converge to partake in a series of races that are alternately off-the-wall and intense.
Channels:
none
Content Rating:
Production Tools:
Credits:
Client: New Balance
Spot Title: Let's Make Excellent Happen :60, :30, :15
Air Date: March 2011
Agency: Arnold Worldwide
Art Director(s): Luke Perkins, Eric Stephenson
Copywriter: Mike Howard
CD: Dave Register
Producer: Billy Near
Prod Company: Park Pictures
Director(s): Ellen Kuras, Lance Accord
EP(s): Jacke Kelman Bisbee, Dinah Rodriguez
Editorial: Lost Planet Editorial
Editor: Hank Corwin
Producer: Meagen Carroll
Telecine: The Mill
Colorist: Fergus Mccall
Post/Effects: Black Hole
Lead VFX/Inferno Artist: Tim Farrell
Audio Post: audioEngine
Mixer: Rex Recker
Executive Producer: Sharon DiTullio-Tepper
Producer: Jessie Meade
Music: The Dandelions "On The 54"
Shoot Location: New York City
Client: New Balance
Spot Title: Let's Make Excellent Happen :60, :30, :15
Air Date: March 2011
Agency: Arnold Worldwide
Art Director(s): Luke Perkins, Eric Stephenson
Copywriter: Mike Howard
CD: Dave Register
Producer: Billy Near
Prod Company: Park Pictures
Director(s): Ellen Kuras, Lance Accord
EP(s): Jacke Kelman Bisbee, Dinah Rodriguez
Editorial: Lost Planet Editorial
Editor: Hank Corwin
Producer: Meagen Carroll
Telecine: The Mill
Colorist: Fergus Mccall
Post/Effects: Black Hole
Lead VFX/Inferno Artist: Tim Farrell
Audio Post: audioEngine
Mixer: Rex Recker
Executive Producer: Sharon DiTullio-Tepper
Producer: Jessie Meade
Music: The Dandelions "On The 54"
Shoot Location: New York City
Author:
Date Added:
03.21.2011
Keywords:
new balance audioengine race pier hudson park pictures track
Number of Views:
1165
Number of Favorited:
0
Number of Ratings:
3
Average Ratings:
Number of Nominations:
7
Nominated for:
Writing, Directing, Cinematography, Acting, Editing, Sound
Festivals:
none
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